CURRICULUM VITAE
Dasha Bulatova
b. 1988 in Moscow, Russia
resident of Oakland, California
For my writing portfolio, click here.
EDUCATION
2019 – SAN FRANCISCO STATE UNIVERSITY
MFA Creative Writing (Poetry)
Areas of specialization: poetics of memory, ecology, and place, translation, 19th/20th century modern American poetry, visual rhetoric/design
2013 – BOSTON UNIVERSITY
MS Speech-Language Pathology
2009 – UNIVERSITY OF CALIFORNIA, BERKELEY
BA Linguistics, Distinction in General Scholarship
RELATED EXPERIENCE
2020 – Creator, Bay Area Healthcare Worker Support Fund
(April 2020 – present)
2019 – Freelance literary and scientific manuscript editor
(December 2019 – present)
2019 – Poetry and Translation editor: Fourteen Hills: The SFSU Review
(May 2019 – present)
2019 – Co-curator and host, TAKE PLACE, SFSU graduate literary reading series
(August 2019 – present)
2019 – Editorial Intern: Two Lines Press, San Francisco
(June 2019 – August 2019)
2018 – Editorial Intern: Best American Nonrequired Reading
(Oct. 2018 – present)
2018 – Editorial Intern and Copyeditor: Jaime Robles, poet and artist
(Sept. 2018 – Dec. 2018)
2018 – Arts Reviewer: repeatperformances.org and The Piedmont Post
(Sept. 2018 – present)
2018 – Graduate Student Instructional Aid: Creative Writing 101, San Francisco State University
(Aug. 2018 – Dec. 2018)
2018 – Student Editorial Committee: Fourteen Hills: The SFSU Review
(Aug. 2018 – present)
2018 – Emerging Artist Frontier Fellowship: Epicenter, Green River, Utah
(July – Aug. 2018)
2008 – Student Editor: Berkeley Fiction Review
(Aug. 2008 – Dec. 2008)
2008 – Stonebridge Press: Publications Intern
PUBLICATIONS
2020 – The Clearing by Allison Adair, reviewed by Dasha Bulatova, Empty Mirror, 7/9/2020
2020 – "Jade Hunting at Willow Creek," "Cane," and "Dyedushka" (Mark Linenthal Award Winner),
Transfer Magazine
2020 – “I Wrote That I Wrote It”: A Review of "Maps and Transcripts of the Ordinary World"
Vol 1. Brooklyn, 3/10/20
2019 – History, Translation, and Trauma: A Review of Colette Fellous’s ‘"This Tilting World"
Vol 1. Brooklyn, 9/29/19
2019 – Shadow Meaning: Discussion “Sound” Translation with Poet Keith Donnell Jr.
Center for the Art of Translation, 9/5/19
2019 – Six poems from Cairns, Mojave He[art] Review, Issues 17 and 18
2019 – Cairns, poetry chapbook, Epicenter, Green River, Utah
2019 – “Salton,” saltfront: studies in human habit(at)
2016 – “Land’s End,” Inverness Almanac (Vol 3.)
2013 – Hawk Hill,self-published poetry chapbook
2011 – “The Empty Sign,” The Meadow, Truckee Meadows Community College
2010 – “Negative Relief,” Berkeley Poetry Review (Issue 41)
2007 – “Antarctica,” Cal Literature and Arts Magazine (Vol 13.1)
PRESENTATIONS + PERFORMANCES
2018 – Artist Talk: Epicenter, Green River, Utah
2018 – Graduate Student Literature Association: San Francisco State University
Panelist: Olio: The Book as Multimodal Technology
2017 – The New Situationists: Pro Arts Gallery, Oakland, California
Performer: From Here, ReadyMaids + friends
READINGS
2020 – RGB Arts Festival, The Center for New Music (3/5/20)
2019 – RGB Arts Festival, San Francisco State University (5/1/19)
2019 – VelRo, San Francisco State University (4/1/19)
2019 – Green River Rock & Mineral Festival (3/25/19)
2018 – VelRo, San Francisco State University (10/2/18)
FELLOWSHIPS + HONORS
2020 – Mark Linenthal Award Winner, Transfer Magazine
2019 – Ann Fields Poetry Prize, San Francisco State University
2009 – William Dickey Fellowship, San Francisco State University